Thursday, 19 May 2016

All Change

The wheel has been turning and a cycle comes to an end. With the ending of any cycle there is always some sense of loss with tears watering the ground for new growth to appear. So it is with this cycle of change but of all the things coming to an end, the most recognised and awaited often hits the hardest.

Puss-shka

A skinny waif came awaiting a way
into a home, hearth a place to rest a head
an independent spirit, stubborn, her self.

Always hungry with inexpensive tastes
and a super-furry soft expansive stomach
that perfectly vibrated a purry performance.

Occasionally happy to halt upon a lap
when cold, or clammy or ineffably kind
unless she was not and remained her self.

Always around unless elsewhere
exuding Mephistophelean ease
as she reappeared extemporanously.

In later years, introvert and internal
contemplating cautiously the nature of cat
statically she maintained a vortex of suspicion.

Of her names she cared not a whit;
the loving Puss, Pussy or Pushka
the mocking Fatso and Weepoo
or the universal Cat yet
She was Her Self.

Her self is no more, her vortex a hole
the space that is left, leaves little to console.

Monday, 2 May 2016

Beltaine Seedthough - A Gardener's Prayer

A BLESSING ON THE GARDEN

Each day within my garth
They will all be mixed together,
In the name of Ingwine & Gerðr,
Who gave them growth.

Fruit, and veg, and flower,
The good produce of our own earth,
There shall be no dearth in our land,
Nor in our dwelling.

In the name of the Alfar of my love,
Who bequeathed to us the power,
With the blessing of the Land,
And Mother Frige.

Humble us in this garden,
Be thine own sanctuary around us,
Ward from us spectre, sprite, oppression,
And preserve us.

adapted from Carmina Goidelica 78

Friday, 29 April 2016

The Cauldron of Poetry and the Romantic Continuum

From the Venerable Bard to the Wandering Minstrel

What is the difference between the Celtic Bard and the Medieval Minstrel?
I think the difference is that the Celtic Bard seems, like the Fili/Filidh in Ireland, to have had a formal instruction and a formal role in ancient and early medieval societies. Similar to the Norse Skjald and the Anglo-Saxon Scop, whose roles seem & training seem to have been less formal, the Bard maintained the history of the tribe which included spiritual, ancestral and legal knowledge. In this respect they came from a pre-Christian culture & their ability to hold an audience (via their performance) and play an instrument were by-products of their function. They had a high office within the society as keepers of the people's knowledge. The leaders of the people needed to refer to them in many matters and they were often protected by law.
The Minstrel, or Old English Gleeman, from the later medieval Christian Feudal culture was more of a performer and musician. Their function was merely to entertain the audience in an informal way, often whilst referring to the news and issues of the day. Most of the powerful functions of spiritual and ancestral knowledge were now held by the clergy and with the written word there was development of the legal profession. The leaders no longer needed to refer to the Bards but for the folk, now demoted from free men to serfs they provided an essential source of news.
However, as the later medieval Christian Feudal culture took over from the early Medieval Pagan culture it would seem that many of the earlier Bards accepted their loss of social status and became wandering Minstrels. It was probably a gradual decline that took place over several generations.

The intriguing part, I find, is with the Angevin Queen (you could almost say Empress) Eleanor of Aquitaine. She created the model Medieval court and brought in learned people and Minstrels, many of whom seem to come from Brittanny. They (and this is conjecture) may well have been from families that were historically British (Welsh) or even Irish Bards. These Minstrels took the ancient Celtic Myths and forged them into the Arthurian Legends and helped to define the Chivalric code, which has many parallels into Celtic ideas of Good Kingship but within a Christian context. It was at this court, which became a cauldron of culture, that the Celtic world mixed with the love stories from Moorish scholars of the Mediterranean and the Germanic feudal culture of England and France. Here are a series of quotes from sites about this legendary court...

Romanz

" William IX, Duke of Aquitaine one of the first troubadour poets "from here It was defined by the use of the Latin word Romanz as distinct from what was known as ‘real’ literature, which was ironically written in Latin. Romanz with its captivating themes of love, ladies and passion in the courts of Europe it was not long before it became known as romantic literature. Eleanor had grown up at the court of her father William X Duke of Aquitaine, but she was really a chip off the old block of her grandfather (William IX).
"Of all her influence on culture, Eleanor's time in Poitiers between 1168 and 1173 was perhaps the most critical, yet very little is known about it. Henry II was elsewhere, attending to his own affairs after escorting Eleanor there. Some believe that Eleanor’s court in Poitiers was the "Court of Love", where Eleanor and her daughter Marie meshed and encouraged the ideas of troubadours, chivalry, and courtly love into a single court. It may have been largely to teach manners, as the French courts would be known for in later generations. The existence and reasons for this court are debated."

Eleanor of Aquitaine and the Court of Love

"Eleanor’s time as mistress of her own lands in Poitiers (1168-1173) established the legend of the Court of Love, where she is reputed to have encouraged a culture of chivalry among her courtiers that had far-reaching influence on literature, poetry, music and folklore. Although some facts about the court remain in dispute amidst centuries of accumulated legend and myth, it seems that Eleanor, possibly accompanied by her daughter Marie, established a court that was largely focused on courtly love and symbolic ritual that was eagerly taken up by the troubadours and writers of the day and promulgated through poetry and song. This court was reported to have attracted artists and poets, and to have contributed to a flowering of culture and the arts. But to whatever extent such a court existed, it appears not to have survived Eleanor’s later capture and imprisonment, which effectively removed her from any position of power and influence for the next 16 years."

Troubadours

Troubadours: "They flourished between 1100 and 1350 and were attached to various courts in the south of France. The troubadours wrote almost entirely about sexual love and developed the concept and practice of courtly love There was no tradition of passionate love literature in the European middle ages before the twelfth century, although there was such a tradition in Arabic-speaking Spain and Sicily. This Arab love poetry was readily accessible to Europeans living in Italy and Spain and was a major source of the Troubadour-developed cult of courtly love.
Troubadour love poetry, although conceptually adulterous, inspired the man (and perhaps the woman) and ennobled the lover's character. Eleanor set up a court controlled by women which aimed at "civilizing" the rather rough society of the area. Many gifted poets and scholars came to her court at Poitiers. A unique situation where wealthy powerful women were able to create their own environment. The doctrine of Courtly Love was designed to teach courtiers how to be lovely, charming and delightful. Its basic premise was that being in love would teach you how to be loveable and pleasing; so love taught courtesy."

The Romantic Continuum

What we see in Eleanor is a medieval Queen who set up a court and created the rules to empower women in what had previously been a purely patriarchal society. As her various sons, including Richard the Lionheart and King John, grew to age the society reverted back to its patriarchal ways but the shining light of her legendary court lived on in the Romantic stories of the day. These continued to inspire subsequent stories, kept alive in the hearts of the people by the wandering minstrels and troubadours until the printing press could disseminate them more widely.
What we see in the bards and troubadours is that, like the folk they represented, their position in society may have declined with feudalism but the themes of love, justice, honour and virtue still resonated with aspirational yet human characters searching for an idealized future. As the role of the folk in society rose during the Renaissance, Enlightenment and into the Modern world each age generated and continues to generate it's own Bards and Troubadours who learn from and re-visit those continuous themes.

I viewed Prince as a modern day romantic and troubadour R.I.P.

Friday, 8 April 2016

The role of a Gothi / Gythja

This was prompted as a follow on to the post on Lordship and from the discussions on the role of Heathen Guru's or Priests - The Gothi .
"The Gothi leads the ceremonies. That is fairly vague. Also stated was that the Gothi was a respected member of the group. Again, vague, but telling more. If you want to be a Gothi, you will have to be respected by an Asatru group and know enough to lead ceremonies." from here.
So from a Gewessi point of view think about the personal growth part of this; to be a Gothi to yourself you need to respect, love and understand yourself. You need to understand ritual, sacrifice and be knowledgeable on the lore of your land.   As Woden did upon Yggdrasil...
I trow I hung on that windy Tree
nine whole days and nights,
stabbed with a spear, offered to Odin,
myself to mine own self given,
high on that Tree of which none hath heard
from what roots it rises to heaven.

You will need to learn about all of the seasonal blóts and symbels, as well as days dedicated to the Gods and Goddesses and ancient heroes to honour. There may also be ceremonies particular to your group (even a solitary like me has links to groups or tribes) if you are a member of one, such as its founding or the birthday of its founder, and you will need to know those. For a solitary it's important to know and develop your own, these are mine:

  1. Ritual Year - the 8 fold cycle from modern paganism and particularly Druidry
  2. Full Moon Meditation - Druidry meditation on peace and healing to the worlds
  3. Festum Prophetae - 17th June road ride to honour Eddy Merckx and road cycling
  4. Virum Honorem - 24th August MTB ride to honour Jason McRoy
  5. Life Events - these are ad-hoc
Rituals should involve either a Blót or a Symbel. Here is a prayer
When ale thou quaffest, call upon earth's might --
'tis earth drinks in the floods.
Earth prevails o'er drink, but fire o'er sickness,
the oak o'er binding, the earcorn o'er witchcraft,
the rye spur o'er rupture, the moon o'er rages,
herb o'er cattle plagues, runes o'er harm.

A Gewessi must decide when & know when to hold them and the difference between a Symbel or ritual feast where you need to give a toast, a boast & a promise, and a blót or sacrifice (ritual times of year & ad-hoc) - the text here is a Blót description:
To this festival all the men brought ale with them; and all kinds of cattle, as well as horses, were slaughtered, and all the blood that came from them was called "hlaut", and the vessels in which it was collected were called hlaut-vessels. Hlaut-staves were made, like sprinkling brushes, with which the whole of the altars and the temple walls, both outside and inside, were sprinkled over, and also the people were sprinkled with the blood; but the flesh was boiled into savoury meat for those present. The fire was in the middle of the floor of the temple, and over it hung the kettles,
which then moves onto a Symbel description...
and the full goblets were handed across the fire; and he who made the feast, and was a chief, blessed the full goblets, and all the meat of the sacrifice. And first Odin's goblet was emptied for victory and power to his king; thereafter, Niord's and Freyja's goblets for peace and a good season. Then it was the custom of many to empty the brage-goblet (Brage is a poem often to the departed); and then the guests emptied a goblet to the memory of departed friends, called the remembrance goblet.
This is a historical account, in our modern world I do not think that re-construction is appropriate with its unlicensed butchery and spraying blood everywhere! In our modern age alcohol such as beer, wine or vodka could be used or smudging with incense smoke. Most of all the sense you get from the lore is that this is not a puritanical, staid and boring experience but one of joy, laughter and good-natured flyting which in the modern world we call banter.

To sum up being your own Gothi or Gythja

you need knowledge of ritual and when to perform it, experience of working with your Gods and finally, but most importantly, the personal growth to have confidence and respect in yourself as your Gothi/Gythja.

Friday, 1 April 2016

Eostre seed thought - new beginnings

As I have documented over the past few years I rode upto Wolstonbury hill to re-dedicate myself to the Gewessi path. Since I've been writing this blog it is interesting to note the different weather & how I am feeling at this time. So this year, after 6 months of repeated virus illness and minimal riding, I cycled up on a pleasant sunny, spring day. My lungs no longer felt glued by infection and the wracking cough has subsided, I almost felt like a rider again.

The circle of thorns is lifted

and the reason for the illness became clear, it was holding me in place until this time. The runes told me some years ago to hold fast in my job, I have been doggedly stuck there for many a year. Now the kids have grown, almost flown the nest and I am free of day to day fatherly duties. The runes told me before I went into the redundancy meeting that my desire is granted - it's time to leave my workplace of the past 19 years with the golden handcuffs unshackled and placed in my hands.

It is time to move onto the Druid grade within OBOD's teaching structure, change my job and look to the future. The runes gave me a caution in Isa for the future about moving cautiously but there is wealth also
(Ice) is very cold
and exceedingly slippery
it glistens, clear as glass
very much like gems,
a floor made of frost
is fair to see.
— Anglo-Saxon Rune Poem
I look forward to my adventure ahead and had a Blot for fair weather and good health.

Friday, 26 February 2016

The Role of an Anglo-Saxon Lord

A long time ago, at the request of Beith a noted scholar prevalent on the OBOD Forum I wrote a long essay on this & lost it when my PC crashed (she left due to the badgering of less-than-scholarly people convinced, due to the Dunning Kruger effect, their unstructured opinions were correct). It has taken me many years to write it again.

Heoric Lordship

The key nature of Lordship in the Anglo-Saxon world is in the relationships and incumbent duties around gift giving. It is not a world where the divine right of Kings, with its underlying social caste structure, is a given. This 'divine right of kings' develops later as part of the ossification of structure in the Feudal world. In the Feudal world kingship become hereditary rather than the meritocracy of the Heroic Age (aka Age of Migrations, Dark Ages, Early Medieval period).

The Heroic Age is a world where a lord is reliant upon his people just as his people are reliant upon him. A good lord is much more aware of the symbiosis and potential fragility of this relationship. A lord is either given power by the Witan (wise leaders of the people) or takes power through his own abilities as a warrior and leader. As a lord he gains wealth which is then distributed as gifts. This ties into the act of giving as an oath, which is related to the rune Gebo, the X, which is the handshake of the act of giving between gift-giver and gift-receiver. The act of giving is a sacred one involving responsibility and duties. Thus both the acts of giving & receiving is an oath. Which ties into the religious and cultural significance of the oath and sacrifice. In an oral world one's spoken word becomes very important your 'word is your bond' and it is these ties of bond-ship that uphold the cultural structure of the heroic world. So when a lord is described as 'ring-giver' there is more than just the transferral of wealth involved.

The only thing more sacred than your word would be an oath-ring carved with runes and given to the gods - many oath rings have been found sacrificed at archaeological digs at Heargs & Hofs. The oath ring is sacred to Thunor (Thor) and Wuldor (Ullr), so the ring is related to divine power. So that when a Lord is named ring-giver it also relates to the Oath as Law and the Lord's role as Law enforcer. "Many times this object was the oath ring and this oath ring was a holy item in the hof. The Anglo-Saxon Chronicle gives an example of the oath ring being used by the Danes in 876 and there is an account of a ring called Thor's ring on which oaths were sworn. Thor presided over the Assembly, which opened on Thursday (Thor's Day) in Iceland. In Eyrbyggja Saga the oath ring was described as being 20 ounces of silver. When not in use it lay on the stalli and during feasts the gothi wore it on his arm. In the description of Thórólf's hof in Iceland, the ring is described as being 2 ounces and was worn on the finger of the gothi during all assemblies. Like the description in Eyrbyggja Saga, this ring laid on the stalli of the hof when not in use. "

A lord uses the gift of wealth as a contract, he does not give lightly and expects loyalty from the gift receiver. The Battle of Maldon poet says this when describing Godric's cowardly betrayal of his duties as gift-receiver
"and left his good lord
Who had often given him many a mare,
He sprang upon the horse that his lord had owned,
Upon the trappings where no right had he"
The poet contrasts the act of the good lord giving a horse with the crime of stealing a horse. Upon seeing the Lord's horse leave the field of battle it causes the shield-wall to break because the people believe their Lord had broken. The shame of betraying your oath, your Lord and your kin will long be remembered. You will not go to the Halls of the Honoured dead but will instead end up in the grey purgatory of Hel or worse; back to the mud un-remembered and un-mourned.

The Germanic peoples, like the Celtic people, had a long history of tribal law handed down as part of an oral tradition. The Lord holds the Hall, the hearth of his people. This hall is the central point within the Garth, the boundary, of the people. In this respect the Lord has to be aware that he holds the spiritual & physical power of his people, if he breaks or betrays this then his people will break and the line of tradition is broken. As King he is also Gothi to his people and so responsible for their spiritual well being too. So if the Gods don't favour him then his people will break oath with him. If his people break oath with him then he breaks and his lineage can be broken.

Conflicts of interest

A good Lord is also aware of the conflict of interest a person may have between their Lord and their Kin, he will use his generosity as a gold giver and law giver to ensure loyalty to him. A Lord does not inherit his position it is given to him by the people (or for a King the lesser Lord or Thegns of the people). The bond between a lord and his housecarls is one of blood-brotherhood, in that respect the Lord's companions are also bound by the kin-oaths. Whilst a Lord's thanes may not have the kin-oaths, his housecarls should live and die with him...
'Soon in the struggle was Offa struck down
Yet had he done what he boasted to his friend
As he bragged before to his ring-giver:-
That they both to the burg should ride
Hale to their home, or in the battle fall,'
This sentiment is common throughout the A-S literature; in 'Beowulf' at the end Wiglaf articulates the same sentiment and it's a theme within 'The Wanderer' too.

There is a common theme of holding your counsel until you know your mind and not being a loud braggart; 'That with proud minds many did then speak
Who later at need would not endure.'
Which in our modern world we would call 'talking the talk but not walking the walk'. So a good Lord must know when to listen and when to talk wise counsel. This passage from 'The Wanderer' sums up the approach of a good lord...
'A wise Lord must be patient
nor too impulsive, hasty of speech,
nor weak as a warrior
nor reckless,
nor pessimistic
or overly optimistic
nor greedy
or eager for boasts.'

Gewessi Mindfulness

What does this mean to a follower of the Gewessi path? I would say that just as a Gewessi is a Gothi/Gythi it is incumbent upon you to behave a like a Lord (or Lady and I'm not going to get into a Transgender argument about terminology!). So that in your daily mindfulness of interacting with people think of the relationship between gift-giver and receiver and the advice above about how a wise Lord behaves. I find the advice above very useful when dealing with social media.
Picture from here
ref: Heroic Age
Wanderer

Friday, 12 February 2016

Einigen Gawr - Some Giant

This a mash-up of various times I've come across Einigen Gawr, one a story written by a Tom Byrne and I can't find it via google. I can't find much on Einigen, so it seems his story is consigned to the hidden recesses of the internet. This is because Iolo Morganwg and his Barddas is regarded by many as a fraud. His is not authentic, provable Medieval knowledge but he suggested it was. The question of quality is not considered, particularly in this digital binary age when the Twitterati and Face-achers leap upon liminal knowledge with a howl of faux-outrage and vent their spleen from the safety of their mobile profile.

However, I suggest it is time to reconsider Iolo's place in the Druidic continuum as his was one of the spark's that ignited the Romantic movement to explore the Celtic Twilight which led to the Meso-druidic movement and then onto today's modern Druidic paths. Many of those interested in the Druidic path have not heard of Einigen Gawr, einigen in German means 'some', gawr in Welsh means giant. Which is about right, Einigen Gawr is some giant that in Iolo's Barddas is the primary giant, perhaps a little like Ymir to the Norse. There is a quality that continues in the symbol of Druidry the /|\ . So here are three views on the Druidic primal giant of wisdom.

THE GOGYRVENS

This is taken from Iolo's Barddas

  1. The three principal elements 2 of every thing: power; matter; and mode.
  2. The three principal elements of sciences: life; intellect; and affection.
  3. The three elements of wisdom: object; mode; and benefit.
  4. The three elements of memorials: understanding from affection; distinctive sign; and reverence for the better.
  5. The three elements of letters, ; that is to say, from a combination of one or other of the three are letters made.
They are three rays of light. Einigan the Giant beheld three pillars of light, having in them all demonstrable sciences that ever were, or ever will be. And he took three rods of the quicken tree, and placed on them the forms and signs of all sciences, so as to be remembered; and exhibited them. But those who saw them misunderstood, and falsely apprehended them, and taught illusive sciences, regarding the rods as a God, whereas they only bore His Name. When Einigan saw this, he was greatly annoyed, and in the intensity of his grief he broke the three rods, nor were others found that contained accurate sciences. He was so distressed on that account that from the intensity he burst asunder, and with his [parting] breath he prayed God that there should be accurate sciences among men in the flesh, and there should be a correct understanding for the proper discernment thereof. And at the end of a year and a day, after the decease of Einigan, Menw, son of the Three Shouts, beheld three rods growing out of the mouth of Einigan.

AODA - John Michael Greer

The eminent Druid John Michael Greer refers to him in his book "The Celtic Golden Dawn" and paraphrases Iolo as follows.

In the beginning of things Einigen Gawr, the first of all created beings, beheld three rays of light descending from the heavens in which were the all the knowledge there ever was and ever will be. These were three voices and the three letters of one name, the Name of the Infinite One:

  • A, Knowledge, the sign of Gwion, the Bounty of Nature
  • W, Power, the sign of Cerridwen, the Cauldron of Annwn
  • N, Peace, the sign of Taliesin, the Child of Light
GewessiMan says If Gwion, Cerridwen and Taliein don't call to you then Beli, Arianrhod and Lleu may or for us Gewessi we could look at Ingvi-Freyr, Frig and Balder.

Another view

Excerpts from a long story by a Tom Byrne, internet denizen that I can no longer find..."You may have come across the story of Einigan Gawr, the legendary discoverer of the Coelbren. Here is my amplification of the tale:EINIGAN GAWR To meet with their instructors of the soul, The pious pack together in their choir and worshipped an idol.
And does the wind's swift passage have one goal?
And is one briny mass the sea entire?
And is one spark the fierce unbounded fire?
- from the Spoils of Annwn. In unwritten time, Which compressed itself in the memory, not a chronicle, When a word had life for as long as air would resound with it...

But the Hot Years came. And the sun and rain did not shine and fall as they had before, But the sun shone on and excluded all of the cooling rain, And the barley was burned in the ground and the apples on trees. The withered flow thrashed, and writhed ineffectively over scorched stones. And the deaths began. First the lambs and calves on the parched hillsides when the grass was browned, Then the old and young, when their weakened frames could not fight disease. The adherents all stood at their idol and called on his name, But Einigan Gawr dug graves for his wife and his child.

Then he found a cave and the burning sun made him seek the cool, dark interior. And within the cave were a brackish pool and a bed of moss. So the water and mosses, he mixed them together and drank, And when the sun set, he sat at the mouth of his cave and he called:
"What did we do wrong?
At the cave's mouth, Einigan Gawr saw clouds calm the sun's raw ire. For a long time, Einigan Gawr gazed skyward and did not squint. Then the cloud broke apart in three places and sunbeams streamed out.A triad of light, one left and one right and one streaking straight down.

And the air was still, But he heard a voice, and it called him: "Einigan Gawr, your wail Cut a corridor from your mouth through brain, through your heart to soul, And your body became a huge horn for that note of pure grief. Your case has been made. Your anguish is answered, so listen to me: See your vale below. All the life down there is down there to change, to be born and die, And if some die soon, and if some die late, that is as it is...

Then you must reach out in the boiling broth and collect yourself. You must find the "I". Then your thoughts and words and your deeds will flow from one source, which is solid and sturdy, to stand the fierce tides. Integrity then, I name as the second support for your leap. But of course your life will be brushed by storms and by eddied force that you can't control, and from time to time you'll be prised away from the cauldron's rim. When you know this, at once you must turn and kick out for the brim; You must persevere, till courage and honour shall strengthen your grip.
There are three supports: They are Perseverance, Integrity and Courageousness.
They are all required for your salmon-leap from the cauldron broth.

Monday, 1 February 2016

Imbolc Seed thought - Quality over Quantity

Do what you can with what you have...

The recent deaths of many iconic people; Motorhead's Lemmy, David Bowie, Glenn Frey and Alan Rickman has brought focus, for me, not on their deaths but how they lived their lives. This quote from Glenn Frey's obituary could (I think) be applied to any of them they all had "a work ethic that wouldn’t quit. He was funny, bullheaded, mercurial, generous, deeply talented and driven."

All of them were true stars in a world of celebrity. Bowie, as ever ahead of the game, seemed to recognise this in the way he retreated from public life as celebrity culture rose to prominence. He learnt to toy with the digital age by recording 'The Next Day' in complete secret at a time when Tarantino's script was released into the social media 'digiverse'. He then goes onto completely stage manage his own death as art and neatly side-steps the mawkishness of a funeral turned into a digital-media feeding frenzy by having a quick, unattended cremation without friends and family in attendance. His last image then become his climbing, miming reverse into the cupboard at the end of Lazarus. A perfectly scripted, from this pagan's perspective, passing with a respectful control over his death in comparison to Outside's dystopian view of 'death as art'#. His is a positive message about managing to die with dignity.

Similarly Lemmy never compromised, unless you count moving to vodka & orange from JD & Coke, and was the ultimate rock & roll star to the end. Although his funeral had the full digital coverage it avoided the fake sentimentality by sticking to it's core rock'n'roll, coke'n'hookers, live fast and fuck the consequences ethos.

They all lived quality lives & rather than fading through dementia into nursing home twilight were still doing what they loved until the end. So if there's a particular seed thought for this Imbolc it's around Quality over Quantity; living a life that is driven creatively and allows you to honour your principles yet generously gives back to society.

# For 'Hello Spaceboy' Bowie played just after Oasis, Oasis had recently been slagging Bowie off as past it and not rock'n'roll; with that performance he slayed them, particularly as their performance was lacklustre

Thursday, 28 January 2016

Imbolc Waka

Oestre rises earlier,
Noticeably higher,
Songbirds trill a merrier
Tune. Lighter heels, brighter
Hills. All aspects jauntier.